Source: ISSN: 2059-2043 ; Music & Science ; https://hal.univ-lille.fr/hal-04355071 ; Music & Science, 2023, Music & Science, 6, pp.1-7. ⟨10.1177/20592043231170472⟩.

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Book

Performing in Conventional vs Non-Conventional Spaces: Measuring Performance ; Actuar en lugares convencionales vs actuar en lugares no convencionales: medir la “performance' ; Jouer dans des lieux conventionnels vs jouer dans des lieux non conventionnels : mesurer la performance

Authors : Chantraine-Braillon, Cécile; Willard, Laurence;

Subjects: Performing arts; Digital humanities; Cognitive sciences

Source: Artistas-investigadoras/es y producción de conocimiento desde la escena ; https://shs.hal.science/halshs-05141043 ; Escuela Nacional Superior de Arte Dramático - Ministerio de Educación (Perú).

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Book

Re(M)ind: Composition and Generative Sound Design of a Multimodal Opera

Authors : Manzolli, Jônatas; Antunes, Micael;

Subjects: Musical composition; Sound design; Opera

Source: Proceedings of the XXVII Generative Art conference ; https://hal.science/hal-04894588 ; Celestino Soddu and Enrica Colabella. Proceedings of the XXVII Generative Art conference, Domus Argenia

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Book

Auxiliary speech by vocal tract modulation and musical surrogacy

Authors : Meyer, Julien; Manfredi, Victor;

Subjects: surrogate speech; acoustic iconicity; auxiliary speech

Source: Oxford Handbook of Language and Music ; https://hal.science/hal-04389746 ; Sammler, D. (ed.). Oxford Handbook of Language and Music, Oxford University Press, In press ; https://corp.oup.com/

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Academic Journal

The Tonnetz at First Sight: Cognitive Issues of Human–Computer Interaction with Pitch Spaces

Authors : Besada, José, L; Bisesi, Erica; Guichaoua, Corentin ...

Subjects: Tonnetz; Harmony; human-computer interaction

Source: ISSN: 2059-2043 ; Music & Science ; https://cnrs.hal.science/hal-04723936 ; Music & Science, 2024, 7, pp.1-21. ⟨10.1177/20592043241246515⟩ ; https://journals.sagepub.com/home/MNS.

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Academic Journal

Those little things that cannot be reduced to the whole that make art a form of research (and vice versa): Composing-listening-playing is the same kind of thing

Authors : Maestri, Eric;

Subjects: compositional act; subscendence; listening

Source: ISSN: 1755-9219 ; Music Performance Research ; https://hal.science/hal-04740662 ; Music Performance Research, 2024, 12, pp.80-94. ⟨10.14439/mpr.12.4⟩.

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Conference

Digital theatre studies: crossing perspective and methods with cognitive sciences

Authors : Chantraine-Braillon, Cécile;

Subjects: cognitive sciences; Performing arts; interdisciplinary experimentationZAGREB; Croatia

Source: International Conference of the DARIAH-EU Working Group Theatralia: Performing Arts – Transitioning to the Digital Age ; https://shs.hal.science/halshs-05140991 ; International Conference of the

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Conference

Le corps musicien : vers une approche sensorielle de la pratique musicale

Authors : Pineda, Ester;

Subjects: cognition musicale; conscience corporelle; attentionLausanne; Switzerland

Source: Journée d'étude "Place du corps dans l’éducation à la création artistique : quels enjeux ?" ; https://hal.sorbonne-universite.fr/hal-04138381 ; Journée d'étude "Place du corps dans

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Report

In Search of Sublime Music

Authors : Buch, Esteban; Lorenzo, Mario; Jacquot, Amélie ...

Subjects: Sublime Music; Beautiful Music; music analysis

Source: https://hal.science/hal-04705041 ; 2024.

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Report

InSpectA becomes KINSPECTA : KINesic Engagement and Experience of SPECTAtors from Greek Antiquity to the present ; InSpectA becomes KINSPECTA : KINesic Engagement and Experience of SPECTAtors from Greek Antiquity to the present: Presentation of the project (2023-2028)

Authors : Noel, Anne-Sophie;

Subjects: Euripides; Sophocles; Aeschylus

Source: https://shs.hal.science/halshs-04679500 ; 2024.

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نتائج البحث

فلترة النتائج

The 15th International Conference of Students of Systematic Musicology (SysMus22)

Performing in Conventional vs Non-Conventional Spaces: Measuring Performance ; Actuar en lugares convencionales vs actuar en lugares no convencionales: medir la “performance' ; Jouer dans des lieux conventionnels vs jouer dans des lieux non conventionnels : mesurer la performance

Re(M)ind: Composition and Generative Sound Design of a Multimodal Opera

Auxiliary speech by vocal tract modulation and musical surrogacy

The Tonnetz at First Sight: Cognitive Issues of Human–Computer Interaction with Pitch Spaces

Those little things that cannot be reduced to the whole that make art a form of research (and vice versa): Composing-listening-playing is the same kind of thing

Digital theatre studies: crossing perspective and methods with cognitive sciences

Le corps musicien : vers une approche sensorielle de la pratique musicale

In Search of Sublime Music

InSpectA becomes KINSPECTA : KINesic Engagement and Experience of SPECTAtors from Greek Antiquity to the present ; InSpectA becomes KINSPECTA : KINesic Engagement and Experience of SPECTAtors from Greek Antiquity to the present: Presentation of the project (2023-2028)

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