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Feminism and Film Music ; Féminisme et musique de film

• Authors : Michot, Jérémy;

Subjects: Feminism; Film Music; Gender

• Source: ISSN: 2558-5118 ; Musicologies nouvelles ; https://hal.science/hal-04834828 ; Musicologies nouvelles, 2024, 16, pp.108-114.

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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction

• Authors : Céline Murillo; David Roche

Subjects: film music; soundtrack; American cinema

• Source: Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 22 (2021)

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Film music and construction of tourist imaginaries in Hollywood blockbusters

• Authors : Marie-Hélène Chevrier; Chloé Huvet

Subjects: exoticism; espionage blockbusters; tourist imaginaries

• Source: Via@, Vol 23 (2023)

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John Lanchbery, Christopher Caliendo and Film Music History: A Comparison between two Modern Scores (1997 and 2007) for John Ford’s 1924 Silent Epic Western, The Iron Horse

• Authors : Raphaëlle Costa de Beauregard

Subjects: The Iron Horse; scoring; silent movie

• Source: Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 22 (2021)

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Development of Film Music in Ukraine in the 1920’s

• Authors : Sergii Kostogryz; Volodymyr Myslavskyi; Nataliia Cherkasova

Subjects: film; improvisation; cinema

• Source: Tarih Kültür ve Sanat Araştırmaları Dergisi, Vol 9, Iss 1, Pp 477-483 (2020)

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A Taste of Liberty Behind Closed Doors: Romanian Film Music before the Fall of Communism

• Authors : Nasta, Dominique

Subjects: Cinéma

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Trends und Spezifika der Musik im französischen Nouvelle Vague-Kino: Dekonstruktion des Mythos einer Filmmusik-Innovation ; Trends and Specificities of Music in French New Wave Cinema: Deconstructing the Myth of Film Music Innovation ; Tendencias y Especificidades de la Música en el Cine de la Nouvelle Vague Francesa: Deconstruyendo el Mito de una Innovación en la Música de Cine ; Tendances et spécificités de la musique dans le cinéma de la Nouvelle Vague : Déconstruire le mythe d'une innovation de la bande-son ; Tendenze e Specificità della Musica nel Cinema della Nouvelle Vague Francese: Decostruire il Mito di un'Innovazione nella Musica Cinematografica

• Authors : Gimello-Mesplomb, Frédéric;

Subjects: Filmmusik; Französische Nouvelle Vague; musikalische Komposition

• Source: La Musique de film en France, courants, spécificités, évolutions ; https://shs.hal.science/halshs-01870562 ; Jérôme Rossi. La Musique de

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Film music and construction of tourist imaginaries in Hollywood blockbusters. From James Bond to Mission: Impossible ; Musique de film et construction des imaginaires touristiques dans les blockbusters hollywoodiens. De James Bond à Mission : Impossible

• Authors : Chevrier, Marie-Hélène; Huvet, Chloé;

Subjects: espionage blockbusters; tourist imaginaries; exoticism

• Source: EISSN: 2259-924X ; Via Tourism Review ; https://hal.science/hal-04177031 ; Via Tourism Review, 2023, Tourisme et imaginaires musicaux, 23, ⟨10.4000/viatourism.9644⟩

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Is film music a (unequivocal) speech ? ; La musique de film est-elle (un discours) univoque ?

• Authors : Dastugue, Gérard;

Subjects: Soundtrack; Film music; Film music studies

• Source: La traduction des émotions dans les musiques de films ; https://hal.science/hal-03599164 ; Bertrand Merlier & Muriel Joubert. La traduction des émotions dans les musiques de films, Delatour, pp.

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The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Young

• Authors : Gabriele; Giulia Ferdeghini; Ilario Meandri

Subjects: Film Music Digital Documentality; Contemporary Film Scoring; Christopher Young/Film Composer’s Studio

• Source: Cinéma & Cie, Vol 24, Iss 43 (2025)

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