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The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Young

• Authors : Gabriele; Ferdeghini, Giulia; Meandri, Ilario

Subjects: Film Music Digital Documentality; Contemporary Film Scoring; Christopher Young/Film Composer’s Studio

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 93-121 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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New Musical Writing Processes for Cinema

• Authors : Calabretto, Roberto; Cossettini, Luca; Greig, Donald

Subjects: Digital Music and Cinema; Electronic Music and Cinema; Soundtrack

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 9-14 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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Ph.D. Thesis Abstract - Experiments in Dramatic Music: The Film Music and Criticism of Georges Auric, 1919-1946

• Authors : Roust, Colin

• Source: Cinéma&Cie; V. 7 N. 9 (2007): Configurations de l'alternance/Configuring alternation ; Cinéma & Cie. Film and Media Studies Journal; Vol. 7 No. 9 (2007):

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Traditional Language with a Flair for Innovation: Hans Florian Zimmer’s Compositional Process

• Authors : Gabriele

Subjects: Zimmer; Composition; Theme

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 71-91 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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Crimson Tide: Hans Zimmer, Subliminal Harmony, and Submerged Voices

• Authors : Greig, Donald

Subjects: Corporate Classicism; Hans Zimmer; Choral Voices

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 57-70 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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The Afterlife of a Lost Art. On the Work and Legacy of Silent Film Pianist Arthur Kleiner

• Authors : Windisch, Anna K.

• Source: Sound Stage Screen; V. 2 N. 1 (2022); 71–105 ; Sound Stage Screen; Vol. 2 No. 1 (2022); 71–105 ; 2784-8949

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The Cinematic Visions and Dreams of Edgard Varèse

• Authors : Gabriele

Subjects: Edgard Varèse; Electonic Music; Electronic Soundtracks

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 37-55 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky

• Authors : Gabriele

Subjects: Michelangelo Antonioni; Andrei Tarkovsky; Vittorio Gelmetti

• Source: Cinéma&Cie; V. 24 N. 43 (2024): New Musical Writing Processes for Cinema; 15-35 ; Cinéma & Cie. Film and Media Studies Journal; Vol. 24 No. 43 (2024): New Musical

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The Aha, Ha! Moment: A Gestalt Perspective on Audiovisual Humour

• Authors : Audissino, Emilio

Subjects: Gestalt and film; Neoformalism; Zucker-Abrahams-Zucker

• Source: Cinéma&Cie; V. 22 N. 38 (2022): Gestalt Filmology. Insights on Form and Embodiment in the Film Experience; 97-116 ; Cinéma & Cie. Film

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Tuning into the Radio in Experimental Films from India

• Authors : Gabriele

• Source: Cinéma&Cie; V. 19 N. 33 (2019): Avant-garde and Popular Forms Between Music and Visual Media. Transhistorical and Intermedial Investigations ; Cinéma & Cie.

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