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Byzantine Monumental Painting c. 1100. Style and Imagery

• Authors : Oretskaia, Irina

Subjects: Byzantine monumental painting; art of the komnenian period; ascetic style

• Source: Fenestella. Dentro l'arte medievale / Inside Medieval Art ; Vol. 1 (2020); 79-113 ; Fenestella. Dentro l'arte medievale / Inside Medieval Art; V. 1 (2020); 79-113 ; 2784-8663 ;

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I have found a new way of painting here”: Finnish paintresses in central Italy between the Eigheenth and Nineteenth Centuries ; ’Ho qui trovato un nuovo modo di dipingere’: pittrici finlandesi nel centro Italia fra Ottocento e Novecent

• Authors : Amedei, Michele

Subjects: Italia di mezzo; Finlandia; Toscana

• Source: Altre Modernità; No. 29 (2023): The Gaze of Women Travellers on “Middle Italy”: Women Writers, Photographers, and Artists between the 19th and 20th Centuries; 50-68 ; Altre Modernità; N. 29

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Architetture immaginate o immagini di architetture nella pittura funeraria etrusca? Riflessioni sul caso dei fascioni policromi e delle altre decorazioni lineari ; Imagined architectures or images of architectures in Etruscan funerary painting? Reflections on the case of the polychrome bands and other linear decorations

• Authors : Marzullo, Matilde

Subjects: funerary paintings; funerary architecture; Etruscans

• Source: Aristonothos. Rivista di Studi sul Mediterraneo Antico; N. 17 (2021); 63-75 ; 2385-2895 ; 2037-4488

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Painting, photography and film in the work of Luigi Veronesi ; Pittura, fotografia, cinema in Luigi Veronesi

• Authors : Caramel, Luciano

Subjects: XX c. Italian Art; Luigi Veronesi; Arte italiana del XX secolo

• Source: L'uomo nero. Materiali per una storia delle arti della modernità; Vol. 19 No. 19-20 (2022): An Anthology; 152-159 ; L'uomo nero. Materiali per una storia delle arti della modernità; V. 19 N. 19-20

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Freelance or bonded? Autonomous or corporate professionals? A survey on Pietro Cavallini, Filippo Rusuti and Jacopo Torriti ; Liberi o vincolati? Professionisti autonomi o societari? Indagine su Pietro Cavallini, Filippo Rusuti e Jacopo Torriti.

• Authors : Cesetti, Giulia

Subjects: Pietro Cavallini; Filippo Rusuti; Jacopo Torriti13th century

• Source: Fenestella. Inside Medieval Art ; Vol. 4 (2023); 81-106 ; Fenestella. Inside Medieval Art; V. 4 (2023); 81-106 ; 2784-8663 ; 10.54103/fenestella/2023/v4

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The Surface of Modernity: Mario Schifano and Fabio Mauri between Screens and Monochrome Painting (1957–1969)

• Authors : Simi, Giulia

• Source: Cinéma&Cie; V. 19 N. 31 (2018): To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960–1979) ; Cinéma & Cie. Film and Media Studies Journal; Vol. 19 No. 31 (2018): To Each Their

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La Ripartenza postbellica in due mostre a Roma, in Palazzo Venezia, negli anni 1944 e 1945 ; Post-war recovery in two exhibitions in Rome in Palazzo Venezia in the years 1944 and 1945

• Authors : Vites, Silvia Maria

Subjects: Mostre del dopoguerra; Palazzo Venezia; pittura del Rinascimento

• Source: ACME; V. 76 N. 1-2 (2023): ; 7-24 ; ACME; Vol. 76 No. 1-2 (2023): ; 0001-494X ; 2282-0035

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The Image, Alone: Photography, Painting and the Tableau Aesthetic in Post-Cinema

• Authors : Pethő, Ágnes

• Source: Cinéma&Cie; V. 15 N. 25 (2015): Overlapping Images. Between Cinema and Photography ; Cinéma & Cie. Film and Media Studies Journal; Vol. 15 No. 25 (2015): Overlapping Images. Between Cinema and

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Jeff Wall, beyond the Borders of the Medium: Photography, History Painting and the Cinema of the Living-dead

• Authors : Le Maître, Barbara

• Source: Cinéma&Cie; V. 15 N. 25 (2015): Overlapping Images. Between Cinema and Photography ; Cinéma & Cie. Film and Media Studies Journal; Vol. 15 No. 25 (2015): Overlapping Images. Between Cinema and

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The portrait of Nicephorus II Phocas (963-969) in the Great Pigeon House Church at Çavuşin. : The creation of a sacred space in Cappadocia in the mid-10th century ; Il ritratto di Niceforo II Foca (963-969) nella Grande Piccionaia a Çavuşin. : La creazione di uno spazio sacro in Cappadocia alla metà del X secolo

• Authors : Abbate, Giorgia

Subjects: Cappadocia; Imperial portrait; Cave church

• Source: Fenestella. Inside Medieval Art ; Vol. 4 (2023); 53-79 ; Fenestella. Inside Medieval Art; V. 4 (2023); 53-79 ; 2784-8663 ; 10.54103/fenestella/2023/v4

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