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Copyright and Cultural Memory: Digital Conference Proceedings

• Authors : Deazley, Ronan; Wallace, Andrea

Subjects: copyright; copyright exceptions; cultural heritage

• Source: Deazley, R & Wallace, A (eds) 2017, Copyright and Cultural Memory: Digital Conference Proceedings. CREATe, Glasgow.

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Copyright & Cultural Memory 2016

• Authors : Deazley, Ronan; Wallace, Andrea

Subjects: copyright; copyright exceptions; cultural heritage

• Source: Deazley, R & Wallace, A (eds) 2017, Copyright & Cultural Memory 2016. CREATe. < http://ccm.create.ac.uk/ >

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Let us entertain you: paramilitary songs and the politics of loyalist cultural production in Northern Ireland

• Authors : Millar, Stephen R.

Subjects: /dk/atira/pure/sustainabledevelopmentgoals/peace_justice_and_strong_institutions; name=SDG 16 - Peace; Justice and Strong Institutions

• Source: Millar, S R 2022, 'Let us entertain you: paramilitary songs and the politics of loyalist cultural production in Northern Ireland', Race & Class, vol. 63, no. 4, pp. 9-34

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“We Decided the Museum Would Be the Best Place for Them”: Veterans, Families and Mementos of the First World War

• Authors : Foster, Ann-Marie

Subjects: First World War; memory; material culture

• Source: Foster, A-M 2019, '“We Decided the Museum Would Be the Best Place for Them”: Veterans, Families and Mementos of the First World War', History & Memory, vol. 31, no.

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Mobilising of the German 1848 Protest Song Tradition in the Context of International Twentieth Century Folk Revivals

• Authors : Robb, David

• Source: Robb, D 2016, 'Mobilising of the German 1848 Protest Song Tradition in the Context of International Twentieth Century Folk Revivals', Popular Music, vol. 35, no. 3, pp. 338-359.

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Autobiography and Invention: Towards a Critical Understanding of Identity, Dialogue and Resistance in Improvised Musics

• Authors : Stapleton, Paul

Subjects: improvisation; self-construction; dialogic

• Source: Stapleton, P 2013, 'Autobiography and Invention: Towards a Critical Understanding of Identity, Dialogue and Resistance in Improvised Musics', Contemporary Music Review, vol. 32, no. 2, pp. 165-174.

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