O Modelo negro: trajetórias do momento pós-colonial na história da arte ; The black model: trajectories of the post-colonial moment in art history

The following work aims to explore the exhibition Le Modèle Noir as an artistic and cultural intervention that challenges stereotypes and negative representations, reflecting on the political struggles related to black representation. The general objective of the work is to carry out sociological reflections on the imaginary of black people in art history, exploring the exhibition catalog to understand the tensions, displacements and creations in the debate on pictorial representation, relating it to the bibliography on the representation of black people. in French postcolonial criticism. Furthermore, the study aims to show the context and gaps that the exhibition fills in the history of art, with an emphasis on the analysis of the Olympia painting, as a case study, and addressing the representation of black people that reverberates from the 18th century to modernity. . Through Post-Colonial and Cultural Studies, as a critical and theoretical framework, the exhibition is valued as a space for inclusive reflection on the history of France and its current issues, contributing to the dialogue between the past and the present and the appreciation of trajectories and representations of black populations. By deconstructing stereotypes, the exhibition promotes reflections on identity, representation and inclusion in contemporary society, also becoming a strategy for combating racial discrimination. ; Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) ; O seguinte trabalho visa explorar a exposição Le Modèle Noir como uma intervenção artística e cultural que desafia estereótipos e representações negativas, refletindo sobre as lutas políticas relacionadas à representação negra. O objetivo geral do trabalho é realizar reflexões sociológicas sobre o imaginário do ser negro na história da arte, explorando o catálogo da exposição para compreender as tensões, deslocamentos e criações no debate da representação pictórica, relacionando-a com a bibliografia sobre a representação do negro na crítica pós-colonial ...