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The Theatre of Cruelty and the Drama of the 1950s.

• Authors : Margan, Claudiu¹

• Source: Journal of Humanistic & Social Studies. 2018, Vol. 9 Issue 2, p37-44. 8p.

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The dilemmas of street performers. A comparison between the experimental theater and the performer who begs ; Encontros e desencontros do performático na cena urbana. Um cotejo entre o teatro que experimenta e o performer que pede

• Authors : Belchior, Marcela

Subjects: Performance; Public transportation; Urban space

• Source: Cordis: Revista Eletrônica de História Social da Cidade; n. 3-4: (2009/2010): Séries Urbanas: conflito e memória ; 2176-4174

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Foreword

• Authors : Vatain-Corfdir, Julie;

Subjects: American theater; dramaturgy; experimental theater

• Source: American Dramaturgies for the 21st Century ; https://hal.sorbonne-universite.fr/hal-03857479 ; SUP. American Dramaturgies for the 21st Century, , 2021, 979-10-231-1793-6 ;

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La critique de la « société du Spectacle » à l’essai sur les scènes théâtrales de Berlin, Londres et Paris dans les années 2000 : spectacle dans le spectacle, la société spectaculaire et marchande au prisme du spectacle vivant ; Critics of the “Society of the Spectacle” on trial on theater stages in Berlin, London and Paris in the 2000s : spectacle within the spectacle, the spectacular and mercantile society through the prism of live art

• Authors : Chehilita, Émilie;

Subjects: Théâtre expérimental; Performance; Médias de masse

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Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo.

• Authors : LOPES DE BARROS, RODRIGO¹

• Source: Afterimage. Sep2020, Vol. 47 Issue 3, p43-65. 23p.

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Fusion, Imagination and Translation: The Beowulf Opera Process

• Authors : Byers, Barbara Lee

Subjects: Music; Dance; Scandinavian studies

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Shatterhand Massacre

• Authors : Slight Return, October 14-15 & 21-22, 1994

Subjects: Documentation; Performance; RSGA

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