نتائج البحث

Why Imitation, and Why Global?

• Authors : Duro, Paul

• Source: Art History. Sep2014, Vol. 37 Issue 4, p606-627. 22p. 12 Color Photographs, 1 Black and White Photograph.

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Abstracts & Authors' Biographies.

• Source: Art History. Sep2014, Vol. 37 Issue 4, p600-605. 6p.

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History Lessons: Imitation, Work and the Temporality of Contemporary Art.

• Authors : Bordo, Jonathan

• Source: Art History. Sep2014, Vol. 37 Issue 4, p806-825. 23p. 7 Color Photographs, 5 Black and White Photographs.

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The Image Valued 'As Found' and the Reconfiguring of Mimesis in Post-War Art.

• Authors : Potts, Alex

• Source: Art History. Sep2014, Vol. 37 Issue 4, p784-805. 22p. 8 Color Photographs, 5 Black and White Photographs.

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Art and Truth After Plato

• Authors : Tom Rockmore

Subjects: Mimesis in art; Imitation in art; Truthfulness and falsehood in artPHILOSOPHY / General; PHILOSOPHY / Aesthetics; PHILOSOPHY / History & Surveys / General

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Alex Potts.

• Authors : Potts, Alex¹

• Source: Art Bulletin. Jun2013, Vol. 95 Issue 2, p209-211. 3p.

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El problema de la demarcación en estética: una crítica del criterio de Danto.

• Authors : Páez, Andrés

Subjects: ART criticism; AESTHETICS; ART theoryDANTO, Arthur Coleman, 1924-2013

• Source: Revista de Estudios Sociales; abr2008, Issue 29, p146-155, 10p, 1 Black and White Photograph

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Tom Huhn.

• Authors : Huhn, Tom

Subjects: MIMESIS in art; IMITATION in art; ART & philosophyARISTOTLE, 384-322 B.C.; PLATO, 428-347 B.C.; FREUD, Sigmund, 1856-1939

• Source: Art Bulletin; Jun2013, Vol. 95 Issue 2, p203-205, 3p

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