نتائج البحث

John Rawlins and ideological Adaptation from the Orient: Case Study Arabian Nights.

• Authors : Nematollahi, Rouhollah¹

Subjects: *COMPARATIVE literature; *FILMMAKERS; *ASIANS

• Source: Interdisciplinary Studies of Literature, Arts & Humanities. 2023, p163-182. 20p.

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Auto-Organização nos Manuais do Cinema Silencioso: o Músico como Agente Criativo e Informacional.

• Authors : D'Urso Hebling, Eduardo¹ ; Manzolli, Jônatas¹

• Source: Revista Música Hodie. 2022, Vol. 22, p105-135. 31p.

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LUIS ARA.

• Source: Hacer Empresa. dic2021, Issue 116, p32-38. 7p.

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La tercera cosa. La música en la transformación de el embrujo de shanghái, de Juan Marsé, en La promesa de shanghái, de Víctor Erice.

• Authors : López, José ángel Lázaro¹

• Source: Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria. may/jun2024, Vol. 29 Issue 56, p267-285. 19p.

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Fellow Sons of the South.

• Authors : McGilligan, Patrick

• Source: Cineaste. Spring2021, Vol. 46 Issue 2, p10-15. 6p. 6 Color Photographs, 1 Black and White Photograph.

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Translocalizando a la draga: una entrevista inédita de 2002 con el actor y director Jorge B. Merced.

• Authors : LA FOUNTAIN-STOKES, LAWRENCE¹

• Source: Centro Journal. Summer2018, Vol. 30 Issue 2, p140-161. 22p.

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The Modest Mogul.

• Authors : Corliss, Richard

• Source: TIME Magazine. 3/31/2008, Vol. 171 Issue 13, p75-77. 3p. 6 Color Photographs.

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Rethinking Film Adaptation Through Directors' Discourse and Auteur Theory: Approaching Dan Brown's The Da Vinci Code.

• Authors : Theodar, M. Caleb¹; P., Saranya¹

• Source: Theory & Practice in Language Studies (TPLS); Dec2022, Vol. 12 Issue 12, p2634-2640, 7p

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Is Launching a Film Franchise Based on a Best-Selling Book Secretly the Worst Gig in Hollywood?

• Authors : Sperling, Nicole

• Source: Entertainment Weekly. 3/13/2015, Issue 1354, p10-13. 4p. 12 Color Photographs.

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Shelley Cob, Adaptation, Authorship and Contemporary Women Filmmakers

• Authors : Marghitu, Stefania

Subjects: authorship; feminism; film adaptations

• Source: International Journal of Communication; Vol 10 (2016); 3 ; 1932-8036

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