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The Silenced Listener: Architectural Acoustics, the Concert Hall and the Conditions of Audience

• Authors : Kaye, Lewis

• Source: Leonardo Music Journal, 2012 Jan 01. 22, 63-65.

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SOUND AFFECTS.

• Authors : GALCHEN, RIVKA

• Source: New Yorker. 10/17/2022, Vol. 98 Issue 33, p30-35. 6p. 5 Cartoon or Caricatures.

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DEVELOPMENT OF A MATHEMATICAL MODEL OF ACOUSTIC PROCESSES IN THE OPERA STUDIO OF THE KYIV CONSERVATORY.

• Authors : Havrylko, Valeriia

Subjects: CONCERT halls; ACOUSTIC models; SCIENTIFIC method

• Source: Technology Audit & Production Reserves; 2024, Vol. 6 Issue 1(80), p6-10, 5p

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Leo L. Beranek: Biographical and Autobiographical Perspectives.

• Authors : Beranek, Leo L. ; Cohen, Annabel J.¹

• Source: Psychomusicology: Music, Mind & Brain. Sep2015, Vol. 25 Issue 3, p170-180. 11p.

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Acoustics of the Great Hall of the Moscow State Conservatory after reconstruction in 2010-2011.

• Authors : Kanev, N.¹ ; Livshits, A.¹; Möller, H.²

• Source: Acoustical Physics. May2013, Vol. 59 Issue 3, p361-368. 8p. 1 Black and White Photograph, 2 Diagrams, 1 Chart, 4 Graphs.

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ROOM ACOUSTICS IN DEPTH.

• Source: Electronic Musician. Feb2022, Vol. 38 Issue 2, p20-23. 4p.

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Rezonance zvuku, prostoru a koncertů u příležitosti stopadesátin Besedního domu.

• Authors : BECKERMAN, MICHAEL^1,2

• Source: Opus Musicum. 2023, Vol. 55 Issue 7, p14-23. 10p.

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Center Stage.

• Authors : GONCHAR, JOANN

Subjects: TALL buildings; CENTERS for the performing arts; PERFORMING arts

• Source: Architectural Record; Nov2023, Vol. 211 Issue 11, p74-81, 8p, 2 Color Photographs, 2 Diagrams

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REMAKING ACOUSTICS: Room acoustic optimization and emulation at Stanford University.

• Source: Sound & Video Contractor. Jul2020, Vol. 38 Issue 7, p30-34. 5p.

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Acoustic Quality, Proximity, and Localization in Concert Halls: The Role of Harmonic Phase Alignment.

• Authors : Griesinger, David¹

• Source: Psychomusicology: Music, Mind & Brain. Sep2015, Vol. 25 Issue 3, p339-344. 6p.

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