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Brain Ballet: The Choreography of Left-Right Neuroendocrine Signals in Injury.

• Authors : Holland, Marshall T¹ (AUTHOR) ; Becker, Bryan² (AUTHOR)

• Source: Function. 2024, Vol. 5 Issue 4, p1-2. 2p.

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PAKES, ANNA. Choreography Invisible: The Disappearing Work of Dance.

• Authors : Mcfee, Graham¹

• Source: Journal of Aesthetics & Art Criticism. Fall2021, Vol. 79 Issue 4, p524-528. 5p.

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Choreography of silk spinning by webspinners (Insecta: Embioptera) reflects lifestyle and hints at phylogeny.

• Authors : McMillan, David¹; Hohu, Kyle¹; Edgerly, Janice S.¹

• Source: Biological Journal of the Linnean Society. Jul2016, Vol. 118 Issue 3, p430-442. 13p.

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Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry.

• Authors : Das, Joanna Dee (AUTHOR)

Subjects: DUNHAM, Katherine, 1909-2006; ARCHIVES; DANCE

• Source: Journal of American History. Sep2023, Vol. 110 Issue 2, p395-397. 3p.

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The passacaille in Lully's Armide: Phrase structure in the choreography and the music.

• Authors : Schwartz, Judith L.

• Source: Early Music. May98, Vol. 26 Issue 2, p300. 20p. 1 Black and White Photograph, 19 Diagrams, 1 Chart.

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Meeting of the Eyes: Invented Gesture, Cinematic Choreography, and Mei Lanfang's Kun Opera Film.

• Authors : Dong, Xinyu¹

• Source: Opera Quarterly. Spring/Summer2010, Vol. 26 Issue 2/3, p200-219. 20p. 12 Black and White Photographs.

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Single nucleotide RNA choreography.

• Authors : Hsiao, Chiaolong; Mohan, Srividya; Hershkovitz, Eli

• Source: Nucleic Acids Research. Mar2006, Vol. 34 Issue 5, p1481-1491. 11p.

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Choreographing Sensibility: Innocence and Politeness in Haydn's Hob. XVI: 40 and 42.

• Authors : Hui, Keri (AUTHOR)

• Source: Music & Letters. Aug2021, Vol. 102 Issue 3, p482-506. 25p.

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Book Notes.

• Source: Journal of Aesthetics & Art Criticism. Spring89, Vol. 47 Issue 2, p199. 5p.

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"As if they didn't hear the music," Or: How I Learned to Stop Worrying and Love Mickey Mouse.

• Authors : White, Barbara

• Source: Opera Quarterly. Winter2006, Vol. 22 Issue 1, p65-89. 25p.

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