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Academic Journal

Remembering Kearneytown: race, place and collective memory in collaborative filmmaking.

Authors : Vasudevan, Pavithra¹ ; Kearney, William A²

Source: Area. Dec2016, Vol. 48 Issue 4, p455-462. 8p. 3 Color Photographs.

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Academic Journal

Glenn Gould, Spliced: Investigating the Filmmaking Analogy.

Authors : Broesche, Garreth P.

Source: Music Theory Online. Dec2016, Vol. 22 Issue 4, p1-15. 15p.

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Academic Journal

Linking Gender, Diving and Filmmaking: Conceptualising Film Outcomes as Narrative Capital Gains in the Making of Wawata Topu (Women Divers) in West Atauro, Timor-Leste.

Authors : ALONSO-POBLACIÓN, ENRIQUE¹ ; PALAZÓN-MONFORTE, DAVID¹; FIDALGO-CASTRO, ALBERTO¹

Source: Asian Fisheries Science. 2016, Vol. 29S, p73-92. 20p.

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Academic Journal

Filmmaking for Fulldome: Best Practices and Guidelines for Immersive Cinema (Part I).

Authors : Ka Chun Yu¹; Neafus, Dan¹; Wyatt, Ryan²

Source: Planetarian. Dec2016, Vol. 45 Issue 4, p27-39. 10p.

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Academic Journal

PROFESSIONAL RECORDING OF SPEECH SOUND IN LOW-BUDGET FILMMAKING.

Authors : FAZAKAS, AARON¹

Source: Studia Universitatis Babes-Bolyai, Musica. Jun2016, Vol. 61 Issue 1, p107-141. 35p.

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Academic Journal

RECLAIMING THE CINEMATIC: LISANDRO ALONSO'S AESTHETICS OF EXCESS IN LIVERPOOL.

Authors : Brignole, Francisco¹

Source: Chasqui (01458973). nov2016, Vol. 45 Issue 2, p45-56. 12p.

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Academic Journal

Documenting Religious Responses to 3.11 on Film.

Authors : GRAF, TIM¹

Source: Asian Ethnology. 2016, Vol. 75 Issue 1, p203-219. 17p.

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Periodical

Thinking at Lightspeed: The Flickering Transformations of Kelly Reichardt's Cinema.

Authors : Michelitch, Jason

Source: Cineaste. Winter2016, Vol. 42 Issue 1, p4-8. 5p.

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Academic Journal

‘Why not make films for New York?’: the interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013.

Authors : Hedling, Olof¹ (AUTHOR) ; Vesterlund, Per² (AUTHOR)

Source: International Journal of Cultural Policy. Nov2016, Vol. 22 Issue 5, p743-757. 15p.

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Talking in Circles.

Authors : PINKERTON, NICK

Source: Film Comment. Sep/Oct2016, Vol. 52 Issue 5, p68-73. 5p. 1 Color Photograph.

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فلترة النتائج

Remembering Kearneytown: race, place and collective memory in collaborative filmmaking.

Glenn Gould, Spliced: Investigating the Filmmaking Analogy.

Linking Gender, Diving and Filmmaking: Conceptualising Film Outcomes as Narrative Capital Gains in the Making of Wawata Topu (Women Divers) in West Atauro, Timor-Leste.

Filmmaking for Fulldome: Best Practices and Guidelines for Immersive Cinema (Part I).

PROFESSIONAL RECORDING OF SPEECH SOUND IN LOW-BUDGET FILMMAKING.

RECLAIMING THE CINEMATIC: LISANDRO ALONSO'S AESTHETICS OF EXCESS IN LIVERPOOL.

Documenting Religious Responses to 3.11 on Film.

Thinking at Lightspeed: The Flickering Transformations of Kelly Reichardt's Cinema.

‘Why not make films for New York?’: the interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013.

Talking in Circles.

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