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Hearing the Movies: Music and Sound in Film History.

• Authors : Richards, Mark

• Source: Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique. Fall2012, Vol. 33 Issue 1, p103-106. 4p.

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Sonhos Industriais: O Cinema dos Estúdios na Argentina e no Brasil nos anos 1930.

• Authors : Autran, Arthur¹

• Source: Contracampo: Brazilian Journal of Communication. dez2012, Vol. 25, p117-132. 16p.

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Haiku and Kabuki: How Global Art Informed the Science of Pioneer Filmmaker Sergei Eisenstein.

• Authors : Mirrer, Kristine¹

• Source: International Journal of Science in Society. 2012, Vol. 3 Issue 2, p171-178. 8p.

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On Styles of Theorizing Animation Styles: Stanley Cavell at the Cartoon's Demise.

• Authors : Pierson, Ryan¹

• Source: Velvet Light Trap: A Critical Journal of Film & Television. Spring2012, Issue 69, p17-26. 10p.

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Making Political Meaning: Academic Criticism of Contemporary German Film.

• Authors : Swope, Curtis

• Source: Film Criticism. Spring2012, Vol. 36 Issue 3, p2-27. 26p.

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Utopian Festivals and Cinephilic Dreams.

• Authors : Porton, Richard

• Source: Cineaste. Spring2012, Vol. 37 Issue 2, p40-43. 4p.

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National Endowment For The Humanities "America's Music" Film Grant To Libraries.

• Source: ARSC Newsletter. Winter2012, Issue 128, p12-13. 2p.

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Why Spider-Man is pulling in moviegoers. Again.

• Authors : Goodale, Gloria

• Source: Christian Science Monitor. 7/ 6/2012, pN.PAG. 1p.

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Top Picks: 'I, Claudius,' improv on the subway, and more.

• Source: Christian Science Monitor. 3/29/2012, pN.PAG. 1p.

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