نتائج البحث

Angel wings, chicken wings, and the boundaries of horror: a cognitive analytical reading of Ricky (François Ozon, 2009).

• Authors : Hartford, Jason¹ (AUTHOR)

• Source: Studies in French Cinema. Mar2016, Vol. 16 Issue 1, p32-47. 16p. 4 Color Photographs.

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‘Tu es déjà rentré?’ Trauma, narcissism and melancholy in François Ozon’s Sous le sable (2000).

• Authors : Ealy, Nicholas¹ (AUTHOR)

• Source: Studies in French Cinema. Jun2017, Vol. 17 Issue 3, p217-235. 19p. 4 Color Photographs, 1 Black and White Photograph.

تفاصيل العنوان

Angel wings, chicken wings, and the boundaries of horror: a cognitive analytical reading ofRicky(François Ozon, 2009)

• Authors : Jason Hartford

Subjects: Literature; Visual Arts and Performing Arts; business.industry

• Source: Studies in French Cinema. 16:32-47

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‘Une mine d'or inépuisable’: the queer pleasures of François Ozon's 8 femmes/8 Women (2002).

• Authors : Waldron, Darren¹

• Source: Studies in French Cinema. 2010, Vol. 10 Issue 1, p69-82. 14p. 1 Color Photograph, 1 Black and White Photograph.

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Melodrama and ethics in François Ozon's Gouttes d'eau sur pierres brûlantes/Water Drops on Burning Rocks (2000).

• Authors : Handyside, Fiona¹

• Source: Studies in French Cinema. 2007, Vol. 7 Issue 3, p207-218. 12p. 3 Black and White Photographs.

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