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Capturing Aesthetic Experiences With Installation Art: An Empirical Assessment of Emotion, Evaluations, and Mobile Eye Tracking in Olafur Eliasson’s “Baroque, Baroque!”

• Authors : Matthew Pelowski (Department of Basic Psychological Research and Research Methods, Faculty of Psychology, University of Vienna); Helmut Leder (Department of Basic Psychological Research and Research Methods, Faculty of Psychology, University of Vienna); Vanessa Mitschke (Department of Basic Psychological Research and Research Methods, Faculty of Psychology, University of Vienna)

Subjects: museum study; aesthetic emotion; mobile eye-tracking

• Source: Frontiers in Psychology

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His Voice and Something More: Francesco Borosini’s Cantata 'Quando miro o stella o fiore' for Anton Ulrich, Duke of Saxe-Meiningen

• Authors : Pelliccia, Emilia (University of Vienna; Department of Musicology)

Subjects: Anton Ulrich of Saxe-Meiningen; Anton-Ulrich-Sammlung; Baroque singer18th century

• Source: Musicologica Austriaca: Journal for Austrian Music Studies

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Hic est Raphael? Carlo Maratti and the Figure of the Artist in the Seventeenth Century

• Authors : Francesca Susanna Croce (University of Vienna)

Subjects: Baroque; Carlo Maratti; self-fashioning

• Source: Anales de Historia del Arte ; issn:1988-2491

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“Baroque” in Early Musicology and Art History: Egon Welleszʼs Concept of an Austrian Tradition

• Authors : Meike Wilfing-Albrecht (External organizations)

Subjects: Musikwissenschaft; ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024); Musicology

• Source: Musicologica Austriaca: Journal for Austrian Music Studies ; issn:2411-6696

تفاصيل العنوان

His Voice and Something More: Francesco Borosini’s Cantata Quando miro o stella o fiore for Anton Ulrich, Duke of Saxe-Meiningen

• Authors : Emilia Pelliccia (Department of Musicology (Historical Musicology, Ethnomusicology and Systematic Musicology), Faculty of Philological and Cultural Studies, University of Vienna)

Subjects: Anton Ulrich of Saxe-Meiningen; Anton-Ulrich-Sammlung; Baroque singer18th century

• Source: Musicologica Austriaca ; issn:2411-6696

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Corelli empfängt Lully. Über eine virtuelle Begegnung bei François Couperin

• Authors : Menke, Johannes;

Subjects: Analyse; analysis; François Couperin

• Source: ISSN:1862-6742 ; Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 17(2), 95-113 (2020.

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Juliane Pöche, Thomas Selles Musik für Hamburg. Komponieren in einer frühneuzeitlichen Metropole (= Musica poetica. Musik der Frühen Neuzeit, Bd. 2), Bern: Lang, 2019

• Authors : Meischein, Burkhard;

Subjects: Barockmusik; baroque music; Thomas Selle

• Source: ISSN:1862-6742 ; Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 17(2), 227-228 (2020.

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Jewish Baroque Illustrations in 18th century Austrian manuscripts (Lecture cycle 21.11.1996) ; Jüdische Barockillustrationen in österreichischen Handschriften des 18. Jhts. (Zyklusvorlesung 23.11.1996)

• Authors : Schubert, Ursula;

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Jewish Baroque Painting of the 18th Century in Bohemian-Moravian-Austrian-Hungarian Border Region, City of Schlaining, September 1990 ; Jüdische Barockmalerei des 18. Jh. Im böhmisch-mährisch-österreichisch-ungarischen Grenzraum (Stadt Schlaining, September 1990)

• Authors : Schubert, Ursula; Hönigschnabel, Sarah

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Jewish Book Art in the Renaissance and Baroque Periods ; Jüdische Buchkunst in Renaissance und Barock

• Authors : Schubert, Ursula; Hönigschnabel, Sarah

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