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Conference

GENESIS 4 TH GENERATION / NOMADICITY / GESTURE EMULATION REAL-TIME CORDIS-ANIMA PHYSICAL MODELING AND HIGH PERFORMANCE FORCE-FEEDBACK INTERACTION WITHIN THE HÉLICANTHE WORKSTATION

Subjects: Computer Music; Physics-based Models; Physics-based simulationTurin (Italie); Italy

  • Source: Proceedings of the 17th and Music Computing Conference ; 17th Sound and Music Computing Conference, Torino, 24th-26th June 2020 ; https://hal.science/hal-04069704 ; 17th Sound and Music Computing

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Conference

LA PLATEFORME HELICANTHE MODELISATION PHYSIQUE CORDIS-ANIMA TEMPS REEL -GENESIS -4 IEME GENERATION RETOUR D'EFFORT HAUTE PERFORMANCE / NOMADICITE / EMULATION GESTUELLE

Subjects: Informatique musicale; Modèles physiques; Simulation temps réelStrasbourg; France

  • Source: Préactes des JIM 2020 ; Journées d'Informatique Musicale 2020 ; https://hal.science/hal-04070194 ; Journées d'Informatique Musicale 2020, Association Française d'Informatique Musicale, Oct 2020,

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Academic Journal

Titanium dioxide particles from the diet: involvement in the genesis of inflammatory bowel diseases and colorectal cancer

Subjects: TiO2; Food additive; Toxicity

  • Source: ISSN: 1743-8977 ; Particle and Fibre Toxicology ; https://hal.inrae.fr/hal-03321952 ; Particle and Fibre Toxicology, 2021, 18 (1), 22 p. ⟨10.1186/s12989-021-00421-2⟩.

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Academic Journal

Genesis and Architecture of Sequences of Quaternary Coral Reef Terraces: Insights From Numerical Models

Subjects: Geomorphology; Coral reefs; Reef terraces

  • Source: EISSN: 1525-2027 ; Geochemistry, Geophysics, Geosystems ; https://normandie-univ.hal.science/hal-02438783 ; Geochemistry, Geophysics, Geosystems, 2019, 20 (8), pp.4248-4272. ⟨10.1029/2019GC008239⟩

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Conference

Visual Representation in GENESIS as a tool for Physical Modeling, Sound Synthesis and Musical Composition

Subjects: Mass-interaction networks; sound synthesis; visual representationBaton Rouge; United StatesBaton Rouge, United States

  • Source: New Interfaces for Musical Expression 2015 ; https://hal.science/hal-01262144 ; New Interfaces for Musical Expression 2015, May 2015, Baton Rouge, United States. pp.195-200

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