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'“[My] soft, smooth skin… cut deep”: Using Filmmaking to Imagine, Feel and Perform Colonial Natural History in the Museum.'

• Authors : Everest, Sophie

• Source: Everest , S 2024 , ' "“[My] soft, smooth skin… cut deep”: Using Filmmaking to Imagine, Feel and Perform Colonial Natural History in the Museum." ' , Museum &

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'The world is full of magic things, patiently waiting for our senses to grow sharper' (WB Yeats):Enhancing resilience among deaf young people in South Africa through photography and filmmaking

• Authors : Young, A.; Ferrarini, L.; Irving, A.

Subjects: Adolescent; Child; Deafness/psychology

• Source: Young , A , Ferrarini , L , Irving , A , Storbeck , C , Swannack , R , Tomkins , A & Wilson , S 2020 , ' 'The world is full of magic things, patiently waiting for our senses to grow sharper' (WB

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Hollywood Studio Filmmaking in the Age of Netflix:A Tale of Two Institutional Logics

• Authors : Hadida, Allègre L.; Lampel, Joseph; Walls, W. David

• Source: Hadida , A L , Lampel , J , Walls , W D & Joshi , A 2020 , ' Hollywood Studio Filmmaking in the Age of Netflix : A Tale of Two Institutional Logics ' , Journal of

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Enactive Filmmaking: Rethinking Ethnographic Cinema in the First Person

• Authors : Ferrarini, Lorenzo

Subjects: Burkina Faso; Collaborative Documentary; Donsoya

• Source: Ferrarini , L 2017 , ' Enactive Filmmaking: Rethinking Ethnographic Cinema in the First Person ' , Visual Anthropology Review , vol. 33 , no. 2 , pp. 130-140 .

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Encountering vulnerabilities through 'filmmaking for fieldwork'

• Authors : Barabantseva, Elena; Lawrence, Andy

• Source: Barabantseva , E & Lawrence , A 2015 , ' Encountering vulnerabilities through 'filmmaking for fieldwork' ' , Millennium , vol. 43 , no. 3 , pp. 911-930 .

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A Visual Turn for Organizational Ethnography: Embodying the Subject in Video-based Research

• Authors : Hassard, John; Burns, Diane; Hyde, Paula

Subjects: Documentary; Embodiment; Ethnography

• Source: Hassard , J , Burns , D , Hyde , P & Burns , J-P 2017 , ' A Visual Turn for Organizational Ethnography: Embodying the Subject in Video-based Research ' , Organization Studies , vol. 0 , pp. 0 .

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Guto and Graça:Ethnographic films and storytelling

• Authors : Torresan, Angela

Subjects: Storytelling; favelas; ethnographic filmmaking

• Source: Torresan , A 2018 , ' Guto and Graça : Ethnographic films and storytelling ' , Anthrovision , vol. 6 , no. 2 , pp. 1-18 . https://doi.org/10.4000/anthrovision.3697

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Retornos::O poder de conceitualizar com filmes ethnográficos. ; Returns:Ethnographic films conceptual power

• Authors : Torresan, Angela

Subjects: Ethnographic filmmaking; Brazilian immigrants; Portugal

• Source: Torresan , A 2017 , ' Retornos: O poder de conceitualizar com filmes ethnográficos. ' , Vivência: Revista de Antropologia , vol. 1 , no. 50 , pp. 11-23 .

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The authoring of Observational Cinema: conversations with Colin Young

• Authors : Henley, Paul

• Source: Henley , P 2018 , ' The authoring of Observational Cinema: conversations with Colin Young ' , Visual Anthropology , vol. 31 , no. 3 , pp. 193-235 . https://doi.org/10.1080/08949468.2018.1460969

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The Cinema of Oliver Stone::Art, Authorship and Activism

• Authors : Scott, Ian; Thompson, Henry

Subjects: Oliver Stone; Politics; Vietnam

• Source: Scott , I & Thompson , H 2016 , The Cinema of Oliver Stone: Art, Authorship and Activism . Manchester University Press , Manchester . <

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