نتائج البحث

Tragicomedy, Melodrama, and Genre in Early Sound Films: The Case of Two “Sad Clown” Musicals

• Authors : Garber, Michael G.

Subjects: Genre theory; Melodrama; Tragicomedy

• Source: CINEJ Cinema Journal; Vol. 5 No. 2 (2016): Spring 2016; 53-86 ; 2158-8724

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Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)

• Authors : Mascha, Katrin B

Subjects: German reunification; historical truth; constructed memory

• Source: CINEJ Cinema Journal; Vol. 1 No. 2 (2012); 36-49 ; 2158-8724

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An Exploration of the Changing Reputation of Spring In A Small Town at Different Times

• Authors : Bi, Kaihui

Subjects: Fei Mu; Chinese cinema; Douglas Sirk

• Source: CINEJ Cinema Journal; Vol. 12 No. 1 (2024): Spring; 207-240 ; 2158-8724

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Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)

• Authors : Tandeciarz, Silvia R

Subjects: Memory; Argentina; State Terrorism

• Source: CINEJ Cinema Journal; Vol. 1 No. 2 (2012); 62-71 ; 2158-8724

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Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands

• Authors : Han, Qijun

• Source: CINEJ Cinema Journal; CINEJ Special Issue 1 (2011): IMAGES - Films as Spaces of Cultural Encounter. The 2011 IMAGES Project Publication; 107-115 ; 2158-8724

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The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom

• Authors : Bergen-Aurand, Brian

• Source: CINEJ Cinema Journal; Vol. 5 No. 1 (2015): Fall 2015; 34-56 ; 2158-8724

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Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love

• Authors : Akser, Murat

Subjects: Turkish cinema; national cinema; nation state

• Source: CINEJ Cinema Journal; Vol. 3 No. 1 (2013): Fall 2013; 162-180 ; 2158-8724

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