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The Anti-television of Jean-Luc Godard and Anne-Marie Miéville: Six fois deux émissions télévision cinéma (1976) and France tour détour deux enfants (1978)
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- المؤلفون: Scandola, Alberto
- المصدر:
Cinergie – Il Cinema e le altre Arti; No. 23 (2023); 157-165; Cinergie – Il Cinema e le altre Arti; N. 23 (2023); 157-165; 2280-9481; 10.6092/issn.2280-9481/v12-n23-2023
- نوع التسجيلة:
Electronic Resource
- الدخول الالكتروني :
https://cinergie.unibo.it/article/view/15909
https://cinergie.unibo.it/article/view/15909/16582
https://cinergie.unibo.it/article/view/15909/16584
https://cinergie.unibo.it/article/view/15909/16582
https://cinergie.unibo.it/article/view/15909/16584
- معلومة اضافية
- Additional Titles:
L’(anti)televisione di Jean-Luc Godard e Anne-Marie Miéville: Six fois deux émissions télévision cinéma (1976) e France tour détour deux enfants (1978)
- Publisher Information:
Dipartimento delle Arti - Alma Mater Studiorum - Università di Bologna 2023-07-20
- نبذة مختصرة :
The television series Six fois deux émissions télévision cinéma (1976) and France tour détour deux enfants (1978), written, producted and directed by Jean-Luc Godard and Anne-Marie Miéville, retain, after half a century, much of their poetic and political force. The main goal of Sonimage, the experimental audio-visual laboratory established by Godard and Miéville in the 1970s, is to reflect on a civilization living under communication. Godard and Miéville, operating within a Post-Structuralist framework, use video as a research tool through which to analyze contemporary communication processes. The objectives of this article are twofold: firstly to examine the aesthetics of two television series and secondly to investigate the purpose of the Sonimage project, aimed to unmask the hypocrisy of a medium which, if not used to simply tell stories, is reduced to a speaker of the Power. Once again Godard proves that, even on the television screen, a face is nothing but an image and a word is simply a sound.
- الموضوع:
- Availability:
Open access content. Open access content
Copyright (c) 2023 Alberto Scandola
https://creativecommons.org/licenses/by/4.0
- Note:
text/html
application/pdf
Cinergie – Il Cinema e le altre Arti; No. 23 (2023); 157-165
Italian
- Other Numbers:
ITUDB oai:journals.unibo.it:article/15909
https://cinergie.unibo.it/article/view/15909
10.6092/issn.2280-9481/15909
1390819957
- Contributing Source:
UNIVERSITA DI BOLOGNA
From OAIster®, provided by the OCLC Cooperative.
- الرقم المعرف:
edsoai.on1390819957
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