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The Hand of the Engraver

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  • المؤلفون: Brown, Daniel; Western, Ryan
  • نوع التسجيلة:
    Electronic Resource
  • الدخول الالكتروني :
    http://hdl.handle.net/10063/9193
  • معلومة اضافية
    • Publisher Information:
      Victoria University of Wellington 2020-09-21T01:52:52Z
    • نبذة مختصرة :
      The manner in which we dwell leaves scars upon the landscape. These scars are often left behind long after occupancy ceases. Countless derelict landscapes across New Zealand bear these scars left by human occupancy, but many are too advanced for remediation. Rather than removing scars, this thesis proposes allowing future generations to witness these scarred landscapes so that their intrinsic stories can provide important lessons for the future, while helping to provide unexpected new approaches to the revitalisation of these sites. Quartz Reef Point in Central Otago has been selected as the site for this design-led research investigation; it is an abandoned strip mine that appears so violated, that it has lost all apparent means of restoration or reuse. This design-led research project proposes that by building upon these scars, rather than ignoring or hiding them, these scars can be reinterpreted as lessons for the future that can help enable future generations to learn from past mistakes. The damage at Quartz Reef Point strip mine has been caused by ‘scratching’ the surface of the site so severely that natural systems have suffered inexorable damage. In the art of engraving, the surface of a copper plate is also deeply scratched––and the resulting ‘damage’ to the plate allows a story to unfold. This design research investigation looks at how the art of engraving can be applied to architectural design processes in ways that help tell the story of severely damaged sites such as Quartz Reef Point. Hans-Jörg Rheinberger’s book The Hand of the Engraver: Albert Flocon Meets Gaston Bachelard is used to establish a framework for this investigation. In this book, the architectural engraver, Albert Flocon, shares dialogues with the architectural philosopher, Gaston Bachelard––two distinct points of view about storytelling. The thesis proposes that when these two points of view are integrated with the voice of the architectural designer, the thesis author, new approaches fo
    • الموضوع:
    • Availability:
      Open access content. Open access content
    • Note:
      en_NZ
    • Other Numbers:
      UX0 oai:researcharchive.vuw.ac.nz:10063/9193
      1200673638
    • Contributing Source:
      VICTORIA UNIV OF WELLINGTON LIBR
      From OAIster®, provided by the OCLC Cooperative.
    • الرقم المعرف:
      edsoai.on1200673638
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