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'He Couldn’t Tell the Difference between The Merry Widow and Tristan and Isolde': Kafka’s Anti-Wagnerian Philosophy of Music

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اقرأ أكثر حفظ في قائمتي
  • معلومة اضافية
    • بيانات النشر:
      Institute of Philosophy of the Jagiellonian University, 2019.
    • الموضوع:
      2019
    • Collection:
      LCC:Aesthetics
    • نبذة مختصرة :
      Thisessay exposes an anti-Wagnerian philosophy of music in Franz Kafka’s “Researches of a Dog” and “The Silence of the Sirens.” Themes of music, sound, and silence are overwhelmingly powerful in these stories and cannot be divorced from corporeal and visual aspects. These aspects are articulated in the selected texts in a manner that stands in stark opposition to Richard Wagner’s philosophy of music as presented in the composer’s seminal 1870 “Beethoven” essay.
    • File Description:
      electronic resource
    • ISSN:
      2544-8242
    • Relation:
      https://pjaesthetics.uj.edu.pl/documents/138618288/143289731/pja-53-6-lewit.pdf/99ddfb7e-cf75-4aac-a3e4-b68aa398cd74; https://doaj.org/toc/2544-8242
    • الرقم المعرف:
      10.19205/53.19.6
    • الرقم المعرف:
      edsdoj.b4752ab11d6c4ad091ee46d4ae8af078