نبذة مختصرة : 626 pages. Félicitations du jury ; Whereas a reflexive chapter, focused on the progressive immersion we realised among the actors of possessions cults from african and/or malagasy origins living in Reunion Island, had been primarly thought to join this thesis, the main effort consists here in the documentation of the maloya. Effectively, an overlook to what's been said of this traditionnal music requiered such a missing work attached to an element recently inscribed on the UNESCO patrimonial list. Resuming the available knowledge about the maloya, which is considered since the early moment of the colonization as the reunionnese « Black music », the purpose was to reach the modern era and then underlying the importance of this esthetical practice in the definition of what could be called, under certain conditions, this « kréol identity ». The post-colonial role that played maloya during the years 1960-1970 appears newly as we emphasize his historical implications. We've also been able to relocate the common point of vue already existing of the maloya in scientifical field as well as on the public scene from the musicians and their cultual significations. Analyzing, for example, his four distincts repertories, we open to an original understanding of the past and the present of a creolized culture that had always took music as a fundement of its existence. This work makes also possible the reflexion about the place of the « Kaf » (Reunionneses of black origins) in this cultural construction, and more largely, the one of the slave-descendents and their so-called « black music » in the invention of our new globalized world. ; Devant comprendre originellement une partie réflexive dans laquelle nous serions revenus sur les conditions de notre immersion progressive parmi des descendants d’esclaves et d’engagés pratiquant le culte rendant hommage à leurs ancêtres afro-malgaches au son du maloya, le présent travail s’est finalement concentré sur la documentation de cette musique. En effet, il est apparu que les ...
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