نبذة مختصرة : Cataloged from PDF version of article. ; Thesis (M.S.): Bilkent University, Department of Architecture, İhsan Doğramacı Bilkent University, 2019. ; Includes bibliographical references (leaves 153-166). ; The post-WWII period was dense of political, economic, and social transformations whose repercussions spread well beyond the Western scene. Although Turkey didn’t participate directly into the conflict, it was nevertheless invested by this set of changes that turned out to be crucial in directing the internal dynamics of the country. Moreover, the widespread capitalist development and the consequent accelerating industrialization, drove Turkey along a turbulent process, full of continuous and multi-faceted transformations, which include unpredictable national politics, emerging new economies and social structures, and in particular, rapid and uncontrolled urbanization. This climate of change and radical transformations eventually affected also the discourse and the practice of architecture. After the collapse of CIAM, and the orthodox ideology of modern architecture, the climate of austerity originated in the post war era determined an internal crisis in the architectural discipline, and a profound re-foundation of its objectives and duties. In particular, the recognition of the social inequality derived from the post-war urban renewal programs in Western nations, eventually threatened the very credibility of architecture. This renewed criticism aiming to question the social roles of architecture, starting from the beginning of the 1960’s entered decisively into the architectural debate in Turkey. The aim of the thesis is to evaluate and trace the changing dynamics of the architectural profession, regarding the concern of ‘social awareness’ as a central topic in the Turkish architectural agenda of the period. Following the trajectory of this discourse, the study attempts to answer the following questions: What were the underlying causes that led the query for the redefinition of the social content of ...
No Comments.