نبذة مختصرة : Gauche in life: marks of personal geography in Drummond's poetry The theme of this article is justified by the space-time presence and the conception of the world that permeate the production of Carlos Drummond de Andrade and place humanity's relationship with the event at the center of his perspective. To carry out the theoretical investigation, we chose an interdisciplinary spectrum, seeking support in discursive and enunciative topics (BAKHTIN, 2006; BRONCKART, 2007; MAINGUENEAU, 2008), literary contributions (BORTOLOTI, 2020; MOURA, 2012; WISNIK, 2018), as well as studies in the social area (SILVA; SOUZA, 2002) for the theoretical consolidation of the discussion. Methodologically, we sought the simultaneity of an explanation of the theoretical trajectory with the textual-discursive analysis, based on a qualitative research, aiming to trace the connection between the poet's "sense of the world" and the brutal reality of the economic forces against him. which he took a stand. The timelessness of Drummond's poetry, revealed in different phases of his writing, allowed a study in which, from the enunciation scene (generic, encompassing and scenographic) and from the perspective of language as a social practice, they reveal a Drummond as socially and politically engaged as immersed in his personal trajectory. ; El tema de este artículo se justifica por la fuerte presencia espaciotemporal y la cosmovisión que impregnan la producción de Carlos Drummond de Andrade y sitúan la relación de la humanidad con el acontecimiento en el centro de su perspectiva. Para realizar la investigación teórica se optó por un conjunto interdisciplinario de saberes, buscando apoyo en temas discursivos y enunciativos (BAJTÍN, 2006; BRONCKART, 2007; MAINGUENEAU, 2008), en aportes literarios (BORTOLOTI, 2020; MOURA, 2012; WISNIK, 2018), así como estudios en el área social (SILVA; SOUZA, 2002) para la consolidación teórica de la discusión. Metodológicamente, buscamos la simultaneidad de una explicación de la trayectoria teórica con el ...
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