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Trajetórias musicais de acordeonistas: um estudo na Licenciatura em Música (UERGS) ; Musical paths of accordionists: a study on Music Degree (UERGS)

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  • معلومة اضافية
    • Contributors:
      Bellochio, Cláudia Ribeiro; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4794804H4; Pacheco, Eduardo Guedes; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4732857J5; Louro-hettwer, Ana Lúcia de Marques e; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728390P6; Garbosa, Luciane Wilke Freitas; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4735904Y6
    • بيانات النشر:
      Universidade Federal de Santa Maria
      BR
      Educação
      UFSM
      Programa de Pós-Graduação em Educação
    • الموضوع:
      2016
    • Collection:
      Manancial - Repositório Digital da UFSM (Universidade Federal de Santa Maria)
    • نبذة مختصرة :
      This master thesis was developed within the Education and Arts Research Line (LR4) from the Postgraduate Program on Education at Federal University of Santa Maria (UFSM) and is part of the research group FAPEM Formation, Action and Research in Musical Education of UFSM. The research proposes as its main theme the study of musical trajectories of accordionists of the degree in Music (UERGS). The general objective is to investigate the musical formation trajectories from these accordionists. The specific objectives are organized around to know their musical experiences and understand how they impacted their choices for training in the course of degree in music and understand possible relationships between being accordionist and the choice of honors degree. The literature reviews that guided the research studies the teacher training and academic-professional training (GARCIA, 1999; FERRY, 1991, 2001; NÓVOA, 1992, 1995; MIZUKAMY, 2002; DINIZ PEREIRA, 2008; VAILLANT; MARCELO, 2012). In order to refer to the training of music teachers, the research was based on studies of Del Ben (2000), Bellochio and Garbosa (2010), Louro (2004), Mateiro and Souza (2009) and in Machado (2009), Puglia (2010), Weiss and Louro (2010) to discuss the accordion education. Methodologically, the research was developed from a study of narratives grounded in oral history (MEIHY, 2005; FREITAS, 2006; ALBERTI, 2003), having as a production procedure the narrative interview (JOVCHELOVITCH and BAUER, 2008; MARCONI and LAKATOS, 2013), and respectively, as an analytical tool the Discursive Textual Analysis (MORAES e GALIAZZI, 2006). Considering that the formative paths of research subjects are under construction, the understanding of the presented narratives and the produced knowledge expanded methods and ways of understanding the potential of the accordion in the training of music teachers process, highlighting in this context the Music Degree course of UERGS. ; A dissertação foi desenvolvida no Programa de Pós-Graduação em Educação (UFSM), Linha ...
    • File Description:
      application/pdf
    • Relation:
      PEREIRA, Julio Cesar Pires. MUSICAL PATHS OF ACCORDIONISTS: A STUDY ON MUSIC DEGREE (UERGS). 2016. 129 f. Dissertação (Mestrado em Educação) - Universidade Federal de Santa Maria, Santa Maria, 2016.; http://repositorio.ufsm.br/handle/1/7277
    • الدخول الالكتروني :
      http://repositorio.ufsm.br/handle/1/7277
    • Rights:
      Acesso Aberto
    • الرقم المعرف:
      edsbas.B26E2295