Making Sense of Material Culture : A Sensory Approach to Bird-Shaped Vessels in Imperial Age Greece

The focus of this thesis is Roman bird-shaped glass vessels from the 1 st and 2 nd centuries AD. The vessels were containers for cosmetics and distinguished themselves from other types of unguentaria in that once they had been filled with cosmetic powder, the vessels were reheated and sealed shut by fire. The only way to extract the content was to break the tip of the bird’s tail; only then could the powder be sprinkled out. While ancient glass is a well-established field of research, studies concerning bird-shaped vessels are scarce. The present study, situated in Roman age Greece, is concerned with the sensory experiences that these objects evoked in their users and attempts to reflect the ancient lived experience of the vessels. In order to speculate on possible sensory stimuli, contextual aspects concerning where, why, and by whom these vessels were used are explored. Based on these contextual aspects, the bird-shaped vessels are studied in hypothetical scenarios where potential multisensory experiences are explored.