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A Study on the Tradition in Wang Shus Architectural Works ; 왕슈 건축 작품 속의 중국 전통성에 관한 연구

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  • معلومة اضافية
    • Contributors:
      DuNam Choi (최두남); Feng Luan; 공과대학 건축학과
    • بيانات النشر:
      서울대학교 대학원
    • الموضوع:
      2014
    • Collection:
      Seoul National University: S-Space
    • الموضوع:
      690
    • نبذة مختصرة :
      학위논문 (석사)-- 서울대학교 대학원 : 건축학과, 2014. 2. DuNam Choi (최두남). ; Nowadays, with the process of globalization and urbanization, China gradually becomes an experimental field of modern architecture. The traditional buildings carrying traditional culture are disappearing gradually. In the design of Chinese contemporary architecture, there is no room for tradition. Therefore, how to inherit tradition in Chinese modern architecture is an urgent issue. The reality of Wang Shu winning the 2012 Pritzker Architecture Prize gives us a lot of enlightenment. The award is actually a confirmation for his exploration on Chinese tradition. The question of the proper relation of present to past is particularly timely, for the recent process of urbanization in China invites debate as to whether architecture should be anchored in tradition or should look only toward the future. As with any great architecture, Wang Shu´s work is able to transcend that debate, producing an architecture that is timeless, deeply rooted in its context and yet universal. quoting from the jury citation that focuses on the reasons for this years choice. His architecture reflects a deep-going thinking on the inheritance of tradition. Wang Shu shows a great preference to Hangzhou and the 3 most important architectural works of him – Ningbo Contemporary Art Museum, Xiangshan Campus and Ningbo History Museum are all designed in the context of Hangzhou. By analyzing the application of traditional elements in these 3 works, we can understand his design concept and strategy on inheriting tradition, which is a good reference and enlightenment to Chinese modern architectural design. Firstly, in Chapter 2, the practice Barragan did on inheriting tradition is analyzed and summarized. And then, Wang Shus architectural thinking and the context of Hangzhou are detailedly introduced. Secondly, in Chapter 3, the application of traditional elements in his three notable projects which are designed based on the context of Hangzhou is detailedly discussed from 3 aspects: ...
    • File Description:
      application/pdf; 11776475 bytes
    • Relation:
      000000016667; https://hdl.handle.net/10371/124034
    • الدخول الالكتروني :
      https://hdl.handle.net/10371/124034
    • الرقم المعرف:
      edsbas.906BDB18