Muska Landay

This is a music composition and related materials for the 'Muska Landay' by Cat Hope for amplified speaking voice, a.m. radio, cello and tam tam. A contemplation dedicated to the resilience and creativity of Afghan women. PROGRAM NOTE This piece is set to an English translation of an Afghan Landay, conceived by Rhalia Muska: I call. You’re stone. One day you’ll look and I’ll be gone. The Landay is an Afghan form of poetry consisting of a single couplet in Pashto, one of two national languages of Afghanistan. Commonly shared orally amongst Pashtan women, these poems consist of 22 syllables – 9 on the first line, 13 on the second. Traditionally, they are sung aloud with the beat of a hand drum. They typically address themes of love, grief, homeland, war, and separation. Like all music, they were banned by the Taliban during 1996 – 2001, and likely again now given the recent Taliban takeover of Afghanistan. Rahlia Muska (Muska means ‘smile’ in Pashto) was a teenage girl who recited Landays over the phone to a radio program on local Radio Azadi. Radio was her only contact with the outside world. However she passed away after setting herself on fire, not long after her brothers had discovered she was making poetry. This is one of many tragic stories from the women and girls under the Taliban, but her Landays are rebellious and powerful, belying the notion of Afghan women as submissive or defeated. They are strong, resilient, pollical, creative and rebellious. The graphic score is made by creating musical gestures by tracing over a photograph of flowing burqa’s worn by Afghan women under an aircraft, from a photograph by Seamus Murphy. The syllables of this English translation, when combined with the musical gestures, add up to the 22 syllables of the original Pashto version. The voice is spoken and amplified, as if heard on via radio. The work explores the potential of graphic notation to reflect or ‘contain’ certain aural (oral) traditions that may evolve of time. This Landay was translated into English by Eliza ...