نبذة مختصرة : The article analyzes the persistence of utopia, in the narrative Os sobreviventes [The survivors] of Caio Fernando Abreu, from its denial or deconstructing in the discourse of personage. To this end, we work with the idea of "disagreement" as a founding principle of utopia in Szach, the utopian and heterotopic image of the mirror in Foucault and the reading of Bauman and Silviano Santiago’s concept in the modernity.
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