Lia de Itamaracá, queen of ciranda: hand in hand with history: Lia de Itamaracá, queen of ciranda: hand in hand with history ; Lía de Itamaracá, reina de ciranda: de la mano com la historia: Lia de Itamaracá, queen of ciranda: hand in hand with history ; Lia de Itamaracá, rainha da ciranda: de mãos dadas com a história: Lia de Itamaracá, queen of ciranda: hand in hand with history

We intend to understand in the musical, dancing, and daily practices of the cirandeira Lia de Itamaracá, a way of living or cultural form as a practice of itself, antagonistic to the techniques of biopower, or biopolitics that spread and cross us, a counter-conduct. Having as a methodological assumption the cultural history and Foucauldian concepts, to seek the realization of libertarian actions as a break with the corporeity, socially and culturally in force. Using the history of Ciranda and Lia with her work, as a composer, performer, “cirandeira” and ciranda master, actress and citizen, we conclude that coco and ciranda, coming from the manifestations and popular practices of religious yards and profane parties of enslaved blacks, practitioners of musical, dancing, and interation forms, marginalized from batuque and calundu, circumscribe the tradition to which Lia is linked. Providing a body as a support and structure of the values propagated by the daily practice of dance, it ethically and aesthetically promotes the culture of the singular and social body, implying the care of the self and the self-constitution of the subject in the use of pleasures. Decelerating the time of capital, unites the emergence of an ethics of the self with the continuous presence of the other, elaborating an aestheticization of existence. ; Pretendemos percibir en las prácticas musicales, danzarias y cotidianas de la cirandeira Lia do Itamaracá, un modo de vivir o forma cultural como práctica de sí misma, antagónica a las técnicas del biopoder, o biopolítica que nos difunde y nos atraviesa, una contra- conducta. Teniendo como presupuesto metodológico la historia cultural y los conceptos foucaultianos, para buscar la realización de acciones libertarias como ruptura con la corporeidad, social y culturalmente, vigente. Utilizando la historia de ciranda y Lía y su obra, como compositora, intérprete, maestra de cirandeira y ciranda, actriz y ciudadana, concluimos que el coco y la ciranda, provenientes de las manifestaciones y prácticas ...