Fear and Crayons: Crafting and Holding Playspaces in the College Writing Classroom

While methods of creative play are still utilized occasionally in elementary education, by the time students reach college there are fewer opportunities for them to play in order to learn creatively in the classroom. Often, they are bored or uninspired by “traditional” composition instruction, where they read essays and then emulate their structure. Students can sometimes struggle to find ways to compose, both academically and creatively. I have seen in my classrooms the efficacy of giving students more flexibility and freedom in their ways of composing. This project proposes that play—the serious “work of childhood” (attributed to Piaget)—is just as essential in the college composition classroom. Giving students ways to access their imaginations, through visual and multimodal composition, making activities, metaphors, and other infusions of creative play pedagogy in the classroom and beyond—are not niche methods of instruction. Rather, I assert that play-learning helps form thirdspaces of play that I term playspaces. Specifically, in this dissertation I inquire through teacher/practitioner research to explore these questions: 1) What are some of the possibilities and limitations of play pedagogy for the composing processes of three first-year college composition students and their instructor? a. How are students using play pedagogy in the learning space? What functions might it serve or not serve? b. How am I implementing my play pedagogy in our classroom? What does play pedagogy mean for me as a teacher? c. How does play pedagogy inform the space and spatial understanding of the composition classroom? This qualitative study examines what happens when play pedagogy is employed in the college writing classroom, using arts-based research (ABR) including narrative inquiry as its main methods. The analysis for my dissertation uses what I’ve termed spatial thematic analysis in the form of longer narrative vignettes to attempt to reconstruct the spaces of play of each of the three students in the study as well as ...