نبذة مختصرة : Religious and secular, political and economic, individual and collective, erotic and puritanical, from the delight of the "creator" to the purely spectator's joy of, from the disinterested pleasure to a radical critique: is "composing" the most prodigious creation of forms and crystals of intellect and sensibility? Is it an art, a "distraction", a science, fēsta, an universals encrypted mode of communication, a dialectical confrontation with the course of time, a rational "use" of the sonorus? "Pure theory", a mode of social expression, prayer and commerce, is it a sovereign sovereignty of a creative operation? Does the "economics" (οἰκονομία) of composition herald that of "donation" (dōnātiō)? Enigma! "L'art est partout puisque l'artifice est au coeur de la réalité". The "liturgy" as a metaphor for ritual sacrifice; the "minstrel" that announces the feudal world, the "concert" that precedes the bourgeois takeover, the "recording" that annunciates the "consumer society", the mp3 and the "virtual music" imbricated in judicializations of the "use" announcing the victory of a cultural capitalism., the difficult musical relationship between indigenous people and Jesuits that heralds centuries of decimation, whether fostered through a hymnal corpus or via public treasury. Yesterday as today music heralds the world of tomorrow. At the crossroads between "translation" and "power", a "modernity" is initiated by a "re-encounter": the "colonial shock" or the superposition of the colonizer's language on the "colonized fabric", tearing and mending its wholeness to the point of disfigurement of what was there: metamorphosis of the living touched by the colonizer verb encapsulated in the patronymy compilation of names and their affiliations, names we watch and by them we are watched over. Remains of narrative murders display a language that traces an "absence"., a language of no-body in a "belonging" that is always "displaced" as ruins and epitaphs of such (re)contact whose location not occurs without cutting the flesh – from ...
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