نبذة مختصرة : El asesino en serie no puede ser entendido únicamente como una categorización criminológica sino también como un constructo discursivo necesario para mantener el orden social. Su monstruosidad en el cine de terror y en los medios ha servido para reforzar la labor de salvaguardar la “pureza” normativa por parte del psiquiatra/criminólogo. La metodología seguida se ha basado en la interdisciplinariedad de los estudios culturales y, en particular, en el análisis fílmico e histórico del periodo. Además, la muestra de setenta películas analizadas en este estudio nos ha permitido observar la existencia de una serie de tendencias. Entre los principales resultados, cabe destacar la similitud de la monstruosidad y la normalidad en relación con la ordenación jerárquica de las categorías mentales. ; The serial killer cannot only be understood as a criminological classification. It is also a necessary discursive construct in order to maintain the social order. Their monstrosity has served to reinforce the role of the psychiatrist/criminologist in protecting society. Our analysis is based on cultural studies methodology and interdisciplinarity, as well as on film studies and history from the period in question. Furthermore, the sample of seventy titles analyzed in the present work has enabled us to observe the existence of several narrative trends. Amongst the main results, it is noteworthy that monstrosity is based on the same hierarchical order as the hegemonic normalcy.
Relation: https://revistas.ucm.es/index.php/ARAB/article/view/68578/4564456553806; AAVV. (2013). Crime Classification Manual. A Standard System for Investigating and Classifying Violent Crime. Third Edition. Hoboken: Wiley. Altman, R. (2000). Los géneros cinematográficos. Barcelona: Paidós. Balibar, E. (1995). “Culture and Identity”. En John Rajchman (ed.), The identity in Question. Nueva York, Londres: Routledge, 173-194. Bergland, R. (2000). The National Uncanny. Indian Ghosts and American Subjects. Hanover: University Press of New England. Bloom, C. (2007). “The Ripper Writing: A Cream of a Nightmare Dream”. En Alexandra Warwick y Martin Willis. (eds.), Jack the Ripper. Media, Culture, History. Manchester: Manchester University Press, 159-177. Bremer, F. J. (2009). Puritanism. A Very Short Introduction. Oxford: Oxford University Press. Cook, D. A. (1994). Lost Illusions. American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. Berkeley: University of California Press. De Quincey, T. (2008). Del asesinato considerado como una de las bellas artes. Sevilla: Espuela de Plata. Duchaney, B. N. (2015). The Spark of Fear. Technology, Society and the Horror Film. Jefferson: McFarland & Company. Fairclough, N. (1989). Language and Power. Nueva York: Longman. Fairclough, N. (1998). “Political Discourse in the Media: An Analytical Framework”. En Allan Bell y Peter Garrett (eds.). Approaches to Media Discourse. Oxford, Malden: Blackwell Publishers, 142-162. FBI. (2008). “The FBI. A Centennial Story, 1908-2008”. Recuperado de https://www.fbi.gov/about-us/history/a-centennial-history/the-fbi-a-centennial-history-1908-2008 (Fecha de acceso: 02/03/2020) Foucault, M. (1979). Microfísica del poder (Genealogía del poder). Madrid: La Piqueta. Gilmore, D. D. (2003). Monsters. Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. Filadelfia: University of Pennsylvania Press. Hall, S. (2003). “The Spectacle of the ‘Other’”. En Stuart Hall (ed.), Representation: Cultural Representation and Signifying Practices. Londres: Sage, the Open University, 223-290. Halttunen, K. (1998). Murder Most Foul. The Killer and the American Gothic Imagination. Cambridge: Harvard University Press. Hanich, J. (2010). Cinematic Emotion in Horror Films and Thrillers. The Aesthetic Paradox of Pleasurable Fear. Nueva York: Routledge. Harkins, A. (2004). Hillbilly. A Cultural History of an American Icon. Oxford: Oxford University Press. Holmes, R. M. y de Burger, J. (1988). Serial Murder. Newbury Park: Sage. Hume, K. (2002). American Dream, American Nightmare. Fiction Since 1960. Chicago: University of Illinois Press. Ingebretsen, E. J. (1998). “The Monster in the Home: True Crime and the Traffic in Body Parts”. Journal of American Culture, vol. 21, núm. 1, 27-34. https://doi.org/10.1111/j.1542-734X.1998.2101_27.x Jenkins, P. (1994). Using Murder. The Social Construction of Serial Homicide. Nueva York: Aldine de Gruyter. Lane, R. (1997). Murder in America: A History. Columbus: Ohio State University Press. Leeder, M. (2014). Halloween. Leighton Buzzard: Auteur. Lefebvre, M. (2005). “Conspicuous Consumption: The Figure of the Serial Killer as Cannibal in the Age of Capitalism”. Theory, Culture & Society, vol. 22, núm. 3, 43-62. https://doi.org/10.1177/0263276405053719 Martín Alegre, S. (1997). More Human Than Human: Aspects of Monstrosity in the Films and Novels in English of the 1980s and 1990s. Tesis doctoral. Barcelona: Universitat Autònoma de Barcelona. Recuperado de http://www.tdx.cat/TDX-0615109-182044 Morton, R. J. (2008). “Serial Murder: Multi-Disciplinary Perspectives for Investigators”. Recuperado de https://www.fbi.gov/file-repository/stats-services-publications-serial-murder-serial-murder-july-2008-pdf (Fecha de acceso: 28/02/2020). Muir, J. K. (2002). Horror Films of the 1970. Jefferson: McFarland & Company. Murphy, B. M. (2009). The Suburban Gothic in American Popular Culture. Basingstoke: Palgrave Macmillan. Murphy, B. M. (2013). The Rural Gothic in American Popular Culture. Backwoods Horror and Terror in the Wilderness. Basingstoke: Palgrave Macmillan. Murley, J. (2008). The Rise of True Crime: 20th-Century Murder and American Popular Culture. Westport: Praeger. Pérez Ochando, L. (2016). Todos los jóvenes van a morir. Ideología y rito en el Slasher Film. Murcia: Micromegas. Prince, S. (2002). A New Pot of Gold Hollywood Under the Electronic Rainbow, 1980-1989. Berkeley: University of California Press. Rathgeb, D. L. (1991). “Bogeyman from the Id: Nightmare and Reality in Halloween and A Nightmare on Elm Street”. Journal of Popular Film & Television, vol. 19, núm. 1, 36-43. https://doi.org/10.1080/01956051.1991.9944106 Ressler, R. K. y Shachtman, T. (1992). Whoever Fights Monsters. Londres: Simon & Schuster. Rogin, M. P. (1987). The Movie and Other Episodes in Political Demonology. Berkeley: University of California Press. Santaularia, I. (2009). El monstruo humano. Una introducción a la ficción de los asesinos en serie. Barcelona: Laertes. Schmid, D. (2005). Natural Born Celebrities. Serial Killer in American Culture. Chicago: The University of Chicago Press. Skal, D. (2002). Death Makes a Holiday. A Cultural History of Halloween. Nueva York: Bromsbury. Slotkin, R. (2000). Regeneration through Violence. The Mythology of the American Frontier, 1600-1860. Norman: University of Oklahoma Press. Stokes, J. (2013). Ho to Do Media and Cultural Studies. Los Angeles: Sage. Thomson, D. (2009). The Moment of Psycho. How Alfred Hitchcock Taught America to Love Murder. Nueva York: Basic Books. Tiburcio, E. (2019). Y nació el asesino en serie. El origen cultural del monstruo en el cine de terror estadounidense. Madrid: Los libros de la Catarata. Tithecott, R. (2006). “Investigating the serial Killer: the Seeking of Origins”. En P. David Marshall (ed.), The Celebrity Culture Reader. Nueva York: Routledge, 443-453. Tonkiss, F. (2004). “Analysing Text and Speech: Content and Discourse Analysis”. En Clive Seale (ed.) Researching Society and Culture. Londres: Sage, 367-382. Tudor, A. (1989). Monsters and Mad Scientists: A Cultural History of the Horror Movie. Cambridge: Basil Blackwell. Twitchell, J. B. (1985). Dreadful Pleasures. An Anatomy of Modern Horror. Oxford: Oxford University Press. Victor, J. S. (1993). Satanic Panic. The Creation of a Contemporary Legend. Chicago: Open Court. Vidal Coy, J. L. (2010). Periodismo y censura en las guerras ultramarinas de EEUU en el siglo XX. Murcia: Universidad de Murcia. Whitaker, R. (2002). Mad in America. Bad Science, Bad Medicine, and the Enduring Mistreatment of the Mentally Ill. Cambridge: Perseus. Wiest, J. B. (2011). Creating Cultural Monster. Serial Murder in America. Boca Raton: CRC Press. Wood, R. (1986). Hollywood. From Vietnam to Reagan. Nueva York: Columbia University Press. Wray, M. y Newitz, A. (eds.) (1997). White Trash. Race and Class in America. Nueva York: Routledge. Zeisler, A. (2008). Feminism and Pop Culture. Berkeley: Seal Press.; https://revistas.ucm.es/index.php/ARAB/article/view/68578
_1.png)
Processing Request
No Comments.