Heteroglosia y dialogismo en la poesía de Shuntarô Tanikawa

espanolLa poesia, en su analisis, se ha visto por lo general excluida de elementos como el dialogismo, la heteroglosia o la polifonia, todos ellos presentados por el teorico ruso Mijail Bajtin (1895-1975) en la primera mitad del siglo XX y atribuidos desde entonces a la novela. Me propongo en este ensayo valerme precisamente de dichos recursos para analizar dos poemas de El Mickey Mouse de la noche, obra del poeta japones Shuntaro Tanikawa1 (1931-), con el objetivo de retribuir a la poesia la capacidad dialogica que se le ha negado durante largo tiempo al circunscribirla al universo particular y cerrado del hablante lirico. EnglishPoetry, in its analysis, has been deprived of elements such as dialogism, heteroglossia and polyphony, all of them introduced by the Russian theorist Mikhail Bakhtin (1895-1975) in the first half of the 20th century and applied ever since to the novel. Through this essay I intend to make use of those same resources to analyse two poems from Yoru no Mickey Mouse, by the Japanese poet Shuntaro Tanikawa (1931-), in order to return poetry the dialogic ability that it has been steadily dispossessed of, being as it was constrained to the particular and closed universe of the lyrical speaker.