Accessibility and the New York School:New Work on Frank O'Hara and John Ashbery

This review deals with new books on Frank O'Hara and John Ashbery, two poets who have been critiqued for inaccessibility for very diferent reasons: Frank O'Hara: The Poetics of Coterie by Lytle Shaw and Ashbery's Forms of Attention by Andrew DuBois. Shaw, in addition to challenging the pejorative notion ofO'Hara as a coterie poet, offers an exemplary strategy for interpreting literary coteries of any era. Additionally, Shaw demonstrates how O'Hara's work is more politically oriented than it is generally given creditfor being by tracing how the work enacts a radical andpersonalized restructuring of the context within which we normally associate publicfigures. DuBois, on the other hand, tackles Ashbery's "fabled 'diffculty" (xi), breaking his central theme of attention into four categories that roughly correspond to stages in Ashberys career: his early development, his use ofprose, his stream of consciousness writing, and the relation between senility and his later work.