- Alternate Title:
Topophobia and topophilia in The Countryside, The Fifteen and Dried Lives: interdisciplinary contributions to Human Ecology. (English)
- نبذة مختصرة :
The works The Countryside (1875/2002), by José de Alencar, The Fifteen (1930/2012), by Rachel de Queiroz, and Dried Lives (1938/2013), by Graciliano Ramos, signal a fertile contribution to the investigation of human--environment relations, raising interdisciplinary imbrications in the representation of the countryside and of the backwoods. In this context, this research aims to investigate, under the method of Discourse Analysis of the French Line and the Ecocritical perspective - which studies the imbrications between Literature and Ecology -, the human-environment relations and the representations of the countryside and of the backwoods that the authors delineate in their respective works, observing the similarities and differences between them, in addition to dialoguing with the human feeling that is awakened in the dialogue with the place, with the environment, with the space and with the territory, in view of the concepts of topophobia (aversion to the physical environment) and topophilia (familiarity or attachment), proposed in 1980 by chinese geographer Yi-Fu Tuan. That said, the discourses present in the novels above, through the crossing of data, demonstrate that the countrysides show an ambivalence of relations with the environment: sometimes topophobic (amidst the scarcity of resources), sometimes topophilic, due to less miserable times. Therefore, Ecocritique is configured as a flag to unveil human-environment relations and is projected as an area of interdisciplinary knowledge, dialoguing with Humanist Geography, Philosophy, Psychoanalysis and other related approaches. [ABSTRACT FROM AUTHOR]
- نبذة مختصرة :
As obras O Sertanejo (1875/2002), de José de Alencar, O Quinze (1930/2012), de Rachel de Queiroz, e Vidas Secas (1938/2013), de Graciliano Ramos, sinalizam um fértil contributo à investigação das relações ser humano-ambiente, suscitando imbricações interdisciplinares na representação do sertanejo e do sertão. Nesse contexto, esta pesquisa tem como objetivo investigar, sob o método da Análise do Discurso de Linha Francesa e da perspectiva Ecocrítica - que estuda as imbricações entre Literatura e Ecologia -, as relações ser humano-ambiente e as representações do sertanejo e do sertão que os autores delineiam nas respectivas obras, observando as aproximações e as diferenças entre elas, além de dialogar com o sentimento humano que é despertado na interlocução com o lugar, com o ambiente, com o espaço e com o território, tendo em vista os conceitos de topofobia (aversão ao ambiente físico) e topofilia (familiaridade ou apego), propostos, em 1980, pelo geógrafo chinês Yi-Fu Tuan. Sendo assim, os discursos presentes nos romances em epígrafe, mediante o cruzamento dos dados, demonstram que os sertanejos apresentam uma ambivalência de relações com o ambiente: ora topofóbicas (em meio à escassez de recursos), ora topofílicas, em razão de tempos menos miseráveis. Portanto, a Ecocrítica se configura como uma bandeira ao desvelamento das relações homem-ambiente e se projeta como uma área de conhecimento interdisciplinar, dialogando com a Geografia Humanista, a Filosofia, a Psicanálise e outras abordagens correlatas. [ABSTRACT FROM AUTHOR]
- نبذة مختصرة :
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