التشكيلُ ال ص وري لخاتم ة القصيدة في عهد بني الأحمر.

The fictional composition of the conclusion during Bani Al- Ahmar era (a technical analysis study).

The Conclusion formed an influential presence in the same Andalusian poet in general, and among the poets of BaniAl- Ahmar (the study sample) in particular, specially figurative formation as an artistic feature because of its importance in the succession of its part and their interrelation. Then, the recipient can easily absorb the text and ease using this formation, and since the conclusion is the solid base on which the poets leans and the abstract which the poet must take care of more than the rest of the poem’s parts, and without it the poem loses its serenitly and its purpose indicative of its content and its being, and its steadfastness to the recipient in terms of ideas and contents and this formation of the conclusion achieved a presentation through its close connection with the other parts of the poem. [ABSTRACT FROM AUTHOR]

شكلت الخاتمةُ حضوراً مؤثراً في ذاتِ الشاعر الأندلُسي عامةً، وعند شعراء بني الأحمرِ (عيِّنةِ الدراسةِ) خاصةً، ولا سيما تشكيلها الصوّري بوصفه ملمحاً فنِّياً، لما له مِنَ الأهمية بمكان في تتابعِ أجزائها وترابطها، ومِنْ ثَمَّ يُمكنُ للمتلقي عَبْرَ هذا التشكيل استيعابُ النص بيسرٍ وسهولةٍ، وبما أَنَّ الخاتمةَ هي القاعدةُ المتينةُ التي يتكئُ عليها الشاعرُ، والخلاصةُ التي يجبُ على الشاعرِ الاعتناء بها أكثرَ مِنْ بقيةِ أجزاءِ القصيدةِ، ومِنْ دونِها تفقدُ القصيدةُ مسارها وهدفها الدال على محتواها، فقد ارتبط هذا التشكيل بها، وشكل معها رابطاً قوياً يُعطي للقصيدةِ مركزيتها، وكينونتها، وثبوتها عند المتلقي مِنْ حيثُ الأفكارُ والمضامين، وقد حقَّق هذا التشكيل للخاتمةُ غرضها عَبْرَ ارتباطها الوثيق بالأجزاءِ الأُخرى للقصيدةِ. [ABSTRACT FROM AUTHOR]

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