Escribir extrañas atracciones: conversación sostenida con Adrian Heathfield. (Spanish)

Writing strange attractions: a conversation with Adrian Heathfield. (English)

EUROPEAN Union; TATE Modern (Gallery)

Adrian Heathfield writes on, curates and creates performance, rethinking why performance matters through the matter of performance. Heathfield has worked with many artists and thinkers on critical and creative collaborations including film dialogues, performance-lectures, dramaturgy, writing and workshop projects. He is Professor of Performance and Visual Culture at the University of Roehampton, London and was President of Performance Studies international (2004-2007). He is the author of Out of Now, a monograph on the artist Tehching Hsieh, editor of Ally and Live: Art and Performance and co-editor of Perform, Repeat, Record. His numerous essays have been translated into ten languages. He conducted the three year European Union funded creative research project Curating the Ephemeral (2014-2016) on immaterial art and museal practices. He was co-director of Performance Matters, a four-year AHRC funded research project on the cultural value of performance (2009-2013). He co-curated the Live Culture events at Tate Modern, London (2003) and a number of other performance and durational events in European cities over the last eighteen years. [ABSTRACT FROM AUTHOR]

Adrian Heathfield es escritor, curador y creador de/sobre performance; dedicado a repensar por qué el performance importa a partir de la materia del performance. Heathfield ha trabajado con numerosos artistas y pensadores en colaboraciones críticas y creativas que incluyen diálogos fílmicos, conferencias performáticas, dramaturgias, proyectos de escritura y talleres. Es profesor de Performance y Cultura visual en la Universidad de Roehampton, en Londres. Es autor de Out of Now, a monograph on the artist Tehching Hsieh, editor de Ally y Live: Art and Performance, así como coeditor de Perform, Repeat, Record. Sus numerosos ensayos han sido traducidos a 10 idiomas. Desarrolló el projecto de investigación-creación financiado por la Unión Europea Curating the Ephemeral (2014-2016) sobre arte inmaterial y prácticas museísticas. Fue codirector de Performance Matters, un proyecto de investigación sobre el valor cultural del performance financiado por el Consejo para la investigación en las Artes y Humanidades AHRC (2009-2013). Fue co-curador la franja de eventos de Cultura Viva del Tate Modern en Londres (2003), así como de otros performances y eventos duracionales en ciudades europeas durante los últimos 18 años. [ABSTRACT FROM AUTHOR]

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