De Capitu ao alien: as rela??es dial?gicas entre Dom Casmurro e o mashup Dom Casmurro e os discos voadores

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A produ??o de um g?nero emergente conhecido como ?mashup? vem aumentando do final da d?cada de 80 at? os dias atuais. Iniciado na esfera da inform?tica, atrav?s da jun??o de dois ou mais softwares, deixou de ser apenas um termo t?cnico e tornou-se uma pr?tica que foi se expandido tamb?m para outras esferas, inclusive a liter?ria, por meio da reescrita de cl?ssicos da literatura mundial. ?Orgulho e preconceito?, de Jane Austen, por exemplo, foi reescrito com o t?tulo ?Orgulho e preconceito e os zumbis?, no qual o autor Seth Grahame Smith escreve a obra em uma suposta parceira com a escritora inglesa, falecida no ano de 1817. Com o crescimento dessa produ??o, inclusive com a reescrita de cl?ssicos da literatura brasileira, esse trabalho pretende analisar, sob a ?tica da an?lise do discurso bakhtiniana, as rela??es dial?gicas que se apresentam entre Dom Casmurro e a Dom Casmurro e os discos voadores, explicitando como ? feita a constru??o do enunciado reescrito em di?logo constante com a matriz. Para tal, foram escolhidas as obras ?Dom Casmurro?, cl?ssico da literatura brasileira, da autoria de Machado de Assis, e ?Dom Casmurro e os discos voadores?, obra revisitada pelo autor L?cio Manfredi. Durante a an?lise do corpus, os conceitos de carnavaliza??o e de hibridiza??o mostraram-se presentes na compara??o das obras, atestando que a narrativa mashup traz o elemente trash para a obra, al?m de promover altera??es no enredo e em alguns personagens para adaptar ? narrativa a essa nova ambienta??o. Tratando-se de uma pesquisa inserida na Lingu?stica Aplicada (LA), ela tem um car?ter qualitativo-interpretativista, de base s?cio-hist?rica. A an?lise do corpus em quest?o revelou que n?o s? as rela??es dial?gicas, mas tamb?m a carnavaliza??o est?o presente no mahsup liter?rio da obra em quest?o de maneira recorrente, pois encontramos v?rios excertos em que as obras est?o em cotejamento dial?gico, sendo dissonantes ou n?o. A presen?a de elementos da cultura trash (alien?genas, nesse caso) corrobora com a carnavaliza??o bakhtiniana. Assim, acredita-se que o resultado da an?lise atende ao que foi proposto nos objetivos da pesquisa.
The industry of an emergent genre known as ?mashup? is growing since the 80?s to our present day. Initially at the computational sphere, throughout he junction between two or more softwares, it was no longer exclusively a technical term, but it also became a practice which was also expanded to others spheres at society, such as the literary through the rewriting of literary world masterpieces. ?Pride and prejudice?, for example, by Jane Austen, was rewrote with the title ?Pride and prejudice and zombies?, in which the author Seth Grahame Smith writes the book in an alleged partnership with the English writer, deceased at 1817. As this industry grows, including the rewriting of Brazilian literature masterpieces, this paper intends to analyze, under the optics of the Bakhtinian discourse analysis, the dialogical relationships that appears between the original book and its rewriting, explicating how the construction of the rewrote text is made, in a constant dialogue with the original. To do so, the chosen books were Dom Casmurro, a Brazilian literature classic, by Machado de Assis, and Dom Casmurro e os discos voadores, the revisisted book by the author L?cio Manfredi. During the corpus analysis, the concepts of carnival and hybridization were constant at the books, proving that the mashup narrative brings up the trash element to its core and it also promotes storyline and character changes in order to adapt the narrative to its new environment. This a research included at the Applied linguistics area and it has qualitative-interpretative character, on a social-historic basis. Corpus analysis indicates that not only the dialogical relations, but also bakhtinian?s carnival are present at the book?s literal mashup in a frequent way, since we find many quotes in which the books are in a dialogical relationship, being whether dissonant or not. The presence of trash culture elements (aliens, in this case) corroborates with bakhtinian?s carnival. Thus, it is believed that the analysis result is consistent with the proposed research objectives.