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A presente pesquisa tem por objetivo investigar o processo de constru??o estil?stica na prosa romanesca do escritor norte-rio-grandense Jos? Bezerra Gomes, tomando, como corpus, o romance A porta e o vento. Os fundamentos te?ricos sobre os quais se assenta esta empresa est?o relacionados ?s ideias difundidas pelo chamado C?rculo de Bakhtin, especialmente, as no??es de linguagem dial?gica, palavra liter?ria, enunciado concreto, vozes sociais e estilo/estil?stica sociol?gica. Quanto ? orienta??o metodol?gica, o trabalho caracteriza-se por adotar o paradigma interpretativista de base s?cio-hist?rica, situando-se, ainda, no grande campo da Lingu?stica Aplicada, ?rea de investiga??o indisciplinar e fronteiri?a cujo foco primordial ? a linguagem concretamente situada. A an?lise dos discursos presentes na obra A porta e o vento possibilitou-me escutar diversas vozes sociais ali encarnadas, enxergar diversas formas de di?logo, in?meras vis?es de mundo em embate constante que, em raz?o do gerenciamento e do acabamento dados pelo autor, acabam por conferir-lhe um tom, um estilo peculiar frente aos demais discursos e estilos circulantes em seu meio. Os embates ideol?gicos s?o evidentes: voz da tradi??o versus voz particular do personagem Santos, no que respeita ? institui??o do casamento; confronto entre imagens de sert?o antag?nicas ? um sert?o vivo (rico e diverso) em contraposi??o ? no??o estereotipada de sert?o (pobre e est?ril); e A porta e o vento como met?fora de uma arena de combate e ind?cio de uma poetiza??o da linguagem da prosa. A caracter?stica principal do estilo bezerriano, em A porta e o vento, est? relacionada aos modos de dialogiza??o das aludidas vozes presentes no romance. Nesse sentido, tem-se, com frequ?ncia, o uso de pol?micas veladas, r?plicas dial?gicas e di?logos velados, que s?o categorias j? discutidas na teoria bakhtiniana, mas tamb?m outros modos de dialogiza??o novos, alicer?ados na din?mica da linguagem viva e concreta
This research aims to investigate the process of stylistic construction in novelistic prose of Northeastern Brazilian writter Jos? Bezerra Gomes, taking as a corpus his novel called A porta e o vento. The theoretical foundations supporting this study are related to the ideas disseminated by a group of linguistic researchers known as Bakhtin Circle, especially the notions of dialogic language, literary word, concrete utterance, social voices, and sociological style/stylistic. Concerning to methodological guidance, this work is characterized by adopting the interpretive paradigm of socio-historical background, still situated in the great field of Applied Linguistics, an undisciplinary area of research and frontier whose primary focus is concrete and situated language. The analysis allowed me to hear several social voices embodied therein, realizing a variety of dialogs, numerous worldviews in constant struggle, that due to the management and the finish given by the author, eventually create a tone, a unique composition compared to other discourses and current styles in his midst. Ideological clashes are evident: the voice of tradition versus particular character Santos? voice regarding the institution of marriage; confrontation between antagonistic hinterland pictures - a living hinterland (rich and diverse) as opposed to the stereotypical notion of hinterland (poor and sterile); and the door and the wind as a metaphor of a fighting arena and a hint of poeticization of the language of prose. The main feature of Bezerra?s style in A porta e o vento is related to the aforesaid modes dialogization voices present in the novel. Therefore, one can found veiled polemic, dialogical replicas and veiled dialogues, which are categories already discussed in Bakhtin's theory, but also other new modes dialogization, grounded in the dynamics of living and concrete language
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